{"id":3279,"date":"2022-11-21T18:06:54","date_gmt":"2022-11-21T17:06:54","guid":{"rendered":"http:\/\/www.g-v.fr\/?page_id=3279\/"},"modified":"2026-08-19T15:04:03","modified_gmt":"2026-08-19T13:04:03","slug":"gisele-vienne","status":"publish","type":"page","link":"https:\/\/www.g-v.fr\/fr\/gisele-vienne\/","title":{"rendered":"Gisele Vienne"},"content":{"rendered":"<div>\n<p class=\"Default\" style=\"text-align: center;\"><span lang=\"NL\">Gis<\/span><span lang=\"IT\">\u00e8<\/span>le Vienne est une artiste, chor\u00e9graphe et metteuse en sc<span lang=\"IT\">\u00e8<\/span>ne franco-autrichienne. Apr<span lang=\"IT\">\u00e8<\/span>s des \u00e9tudes de musique et philosophie, elle int<span lang=\"IT\">\u00e8<\/span>gre l\u2019\u00c9<span lang=\"IT\">cole sup<\/span>\u00e9rieure nationale des arts de la marionnette. Son travail est le fruit de collaborations tr\u00e8s \u00e9troites avec des danseur.euses, com\u00e9dien.nes, artistes, musicien.nes et \u00e9crivain.es.<\/p>\n<\/div>\n<div style=\"text-align: center;\">\n<p class=\"Default\"><span lang=\"NL\">\u00a0<\/span><\/p>\n<\/div>\n<div style=\"text-align: center;\">\n<p class=\"Default\">Au cours des vingt-cinq derni<span lang=\"IT\">\u00e8<\/span>res ann\u00e9es, ses pi\u00e8ces ont \u00e9<span lang=\"NL\">t<\/span>\u00e9 <span lang=\"NL\">pr<\/span>\u00e9<span lang=\"NL\">sent<\/span>\u00e9es en tourn\u00e9e en Europe et r\u00e9guli<span lang=\"IT\">\u00e8<\/span>rement jou\u00e9es en Asie et en Am\u00e9rique dans les plus prestigieux th\u00e9\u00e2tres et festivals. <span lang=\"EN-US\">P<\/span><span lang=\"NL\">armi<\/span><span lang=\"EN-US\"> ses pi\u00e8ces, on peut notamment citer<\/span> <i><span lang=\"EN-US\">Showroomdummies version 1 \u00e0 5 <\/span><\/i><span lang=\"EN-US\">(2001-2025),<i> Apologize<\/i><\/span><span lang=\"NL\"> (2004), <\/span><i><span lang=\"DE\">Kindertotenlieder<\/span><\/i><span lang=\"NL\">(2007), <i>Jerk<\/i> (2008), <\/span><i><span lang=\"EN-US\">This is how you will disappear <\/span><\/i><span lang=\"NL\">(2010), <\/span><i><span lang=\"PT\">LAST SPRING: A Prequel<\/span><\/i><span lang=\"NL\"> (2011), <\/span><i><span lang=\"EN-US\">The Ventriloquists Convention<\/span><\/i><span lang=\"NL\"> (2015), <\/span><i><span lang=\"EN-US\">Crowd<\/span><\/i><span lang=\"NL\"> (2017), <i>L<\/i><\/span><i><span lang=\"EN-US\">\u2019\u00c9<\/span><\/i><i><span lang=\"NL\">tang<\/span><\/i><span lang=\"EN-US\"> (2021) et <\/span><i><span lang=\"ES-TRAD\">EXTRA LIFE<\/span><\/i><span lang=\"NL\"> (2023). <\/span><\/p>\n<\/div>\n<div style=\"text-align: center;\">\n<p class=\"Default\">En 2026, elle cr\u00e9<span lang=\"NL\">e<\/span> <i>Archives of Feelings <\/i>au Schauspielhaus de Z\u00fcrich.<\/p>\n<\/div>\n<div style=\"text-align: center;\">\n<p class=\"Default\">Ses pi\u00e8ces de r\u00e9pertoires sont diffus\u00e9es par sa compagnie et ont \u00e9galement int\u00e9gr\u00e9es les, Ballet de Lorraine, le Rohm Theater de Kyoto, l\u2019Op\u00e9ra Ballet de Flandres et la Volksb\u00fchne de Berlin.<\/p>\n<\/div>\n<div style=\"text-align: center;\">\n<p class=\"Default\"><span lang=\"NL\">\u00a0<\/span><\/p>\n<\/div>\n<div style=\"text-align: center;\">\n<p class=\"Default\">Elle r\u00e9alise les films <i>Brando<\/i> (2014), <i><span lang=\"NL\">Jerk <\/span><\/i>(2021)<i> et Kerstin Kraus <\/i>(2024)<\/p>\n<\/div>\n<div style=\"text-align: center;\">\n<p class=\"Default\"><span lang=\"NL\">\u00a0<\/span><\/p>\n<\/div>\n<div style=\"text-align: center;\">\n<p class=\"Default\">Ses oeuvres d\u2019art contemporain ont int\u00e9gr\u00e9es des collections et sont fr\u00e9quemment pr\u00e9sent\u00e9es dans le cadre d\u2019exposition solos comme au<span lang=\"PT\"> Centre Pompidou <\/span><span lang=\"NL\">\u00e0 <\/span><span lang=\"ES-TRAD\">Paris, le Museo Nacional de Bellas Artes de Buenos Aires<\/span>, Le Mus\u00e9e d\u2019Art Moderne de la Ville de Paris et le Centre d<span dir=\"RTL\" lang=\"AR-SA\">\u2019<\/span>art contemporain de Gen<span lang=\"IT\">\u00e8<\/span><span lang=\"NL\">ve<\/span>, le Haus am Waldsee et le Kolbe Museum de Berlin<span lang=\"NL\">. <\/span><\/p>\n<\/div>\n<div style=\"text-align: center;\">\n<p class=\"Default\">Elle participe tout aussi r\u00e9guli\u00e8rement \u00e0 des expositions de groupe dans des mus\u00e9es, notamment le Whitney Museum de New York, 12th Site Santa Fe International\u00a0: Fondation Vincent van Gogh, Mus\u00e9e Zacheta<\/p>\n<\/div>\n<div style=\"text-align: center;\">\n<p class=\"Default\"><span lang=\"NL\">\u00a0<\/span><\/p>\n<\/div>\n<div>\n<p class=\"Default\" style=\"text-align: center;\">Elle a publi\u00e9 plusieurs livres d\u2019artistes dont <i>JERK \/ Through Their Tears<\/i><span lang=\"NL\"> (2011<\/span>), et <i><span lang=\"NL\">40 PORTRAITS 2003-2008<\/span><\/i>(<span lang=\"NL\">2012<\/span>), <i>THIS CAUSES CONSCIOUSNESS TO FRACTURE <\/i>(2024). Son travail a donn\u00e9 lieu <span lang=\"NL\">\u00e0 <\/span>diverses publications, et la musique originale de ses spectacles <span lang=\"NL\">\u00e0 <\/span>plusieurs albums. Elle a \u00e9galement collabor\u00e9 \u00e0 l\u2019\u00e9criture du texte d\u2019Ad\u00e8le Haenel, <i>Viser juste<\/i>, paru \u00e0 l\u2019Arche en ao\u00fbt 2026.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Gis\u00e8le Vienne est une artiste, chor\u00e9graphe et metteuse en sc\u00e8ne franco-autrichienne. Apr\u00e8s des \u00e9tudes de musique et philosophie, elle int\u00e8gre l\u2019\u00c9cole sup\u00e9rieure nationale des arts de la marionnette. Son travail est le fruit de collaborations tr\u00e8s \u00e9troites avec des danseur.euses, com\u00e9dien.nes, artistes, musicien.nes et \u00e9crivain.es. \u00a0 Au cours des vingt-cinq derni\u00e8res ann\u00e9es, ses pi\u00e8ces ont [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"gisele-vienne.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-3279","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.g-v.fr\/fr\/wp-json\/wp\/v2\/pages\/3279","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.g-v.fr\/fr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.g-v.fr\/fr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.g-v.fr\/fr\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/www.g-v.fr\/fr\/wp-json\/wp\/v2\/comments?post=3279"}],"version-history":[{"count":50,"href":"https:\/\/www.g-v.fr\/fr\/wp-json\/wp\/v2\/pages\/3279\/revisions"}],"predecessor-version":[{"id":5069,"href":"https:\/\/www.g-v.fr\/fr\/wp-json\/wp\/v2\/pages\/3279\/revisions\/5069"}],"wp:attachment":[{"href":"https:\/\/www.g-v.fr\/fr\/wp-json\/wp\/v2\/media?parent=3279"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}